Tomás Martín López’s “Yo No Veo Na,” featuring the legendary Tito Allen, is a vibrant and nostalgic trip back to the golden age of New York charanga. From the first note, the song pulses with an infectious energy that’s impossible to resist.
The production, a collaborative effort between López and Carlo López, is undeniably polished. Joe Mannozzi’s arrangement is nothing short of exceptional, masterfully weaving together the rich tapestry of charanga instrumentation. The interplay between Fay Roberts’s elegant flute, Francisco Torres’s soulful trombone solo, and the driving rhythm section is a testament to the musicianship on display. The driving rhythm section of Carlo Lopez’s Congas, Michael Viñas’s Bass, and Tomas Martin Lopez’s Timbales and Guiro is very well mixed.
López and Willie A. Rodríguez’s lyrics capture the spirit of classic salsa, while Tito Allen’s unmistakable vocals add a layer of authenticity and gravitas. The coro, featuring Ricky P. Luis, Steve Giraldo, and Tito Carrión, provides a powerful and harmonious backdrop.
The meticulous mixing by Carlo López and mastering by Jimmy Branly ensure that every instrument shines, creating a crisp and dynamic soundscape. The result is a track that feels both timeless and fresh, perfect for the dance floor. Indeed, it’s easy to imagine DJs spinning “Yo No Veo Na” during peak hours, igniting the crowd with its irresistible groove.
“Yo No Veo Na” is a must-listen for any fan of classic salsa and charanga. Tomás Martín López has delivered a truly memorable track that honors the genre’s rich history while injecting it with a contemporary flair.”